I meant to do that...

I am a member of a photography online forum, where photographers from all over the country join on a regular basis to share their highs and lows about their art and clients (most of the time, it's about the highs!)
Today, I came upon an awesome article written by one of the members, and I had to share it with you all... to help you understand why I take pictures the way I do, and why I'm different than most other studio photographers. Her article follows.



Make no mistake, my work is unique! I have a style of my own and it is somewhat uncoventional. My clients are usually looking for something fresh, stylish and more contemporary than what many “traditional” photographers offer. That being said, there are some things you may notice when looking at my work that is different from what you might be accustomed to…

“Tight Crops” –
This means super close close-ups where often the face fills most of the frame of the image. These images are about the eyes, and often the top of the head is not included in the image. I meant to do that!

“Not-So-Smiley”-
So many of us have been brought up to believe that a smile is a requirement to make a great photo. So not true! I love a pensive look as much as a big grin. I meant to do that!

“Let’s Be Negative”-
Negative space is when the subject is placed off to the side of an image and the rest of the image is empty—this is done for artistic impact. I meant to do that!

“Left of Center” -
The most boring position for a subject in a photograph is smack dab in the middle! I know, I know, not what you always thought, right? Trust me! There is a little something in design called the Rule of Thirds that we photographers often employ to enhance visual interest.
The rule states that an image can be divided into nine equal parts by two equally spaced horizontal lines and two equally spaced vertical lines (like a tic-tac-toe board). The four points formed by the intersections of these lines can be used to align features in the photograph. Aligning a photograph with these points creates more tension, energy and interest in the photo than simply centering the feature would.
Huh? Trust me, your child does not need to be right in the center of an image for it to be a good portrait! I meant to do that!

“The Light in the Eyes”-
The hallmark of good portrait photography is good lighting, and the hallmark of good lighting is something called a “catchlight,” – a reflection of light in the eyes. I love big catchlights! I purposely position my lights for the best and largest catchlights, especially for close-ups. Flip through any parenting or glamour magazine and look at the eyes—what do you see? Big bright catchlights! A lack of catchlights leaves the eyes looking flat, dull and lifeless.

Article written by Kristi Hibbetts